Archive | 7:45 pm

This Place Takes the Cake

30 Dec

Just wanted to post a quick little thing about my experience last night at Post 390. I’d wanted to go to this Back Bay hot spot for a while now, and had been there for drinks a month ago, but it wasn’t until last night that I actually sat down to eat. Sara K and I both tried the Beer and Bacon Macaroni and Cheese (yes, I said Beer and Bacon Macaroni and Cheese), and it was fine, but the place truly won me over with its dessert. I had the Chocolate Layer Cake, with “Mom’s fudge frosting” and vanilla creme, and all I can say is wow. Just wow. The cake was moist, very sweet, and nearly perfect in every way. The frosting was an ideal compliment, and just incredible. It was worth trudging out on a very cold evening and waiting more than a half hour for a table just to eat this very tasty treat.

I eat a lot of cake — indeed, too much cake — so it takes a lot for me to really rave about one piece in particular, but I have to say, this Chocolate Layer Cake (not to be confused with the Sliver of Dark Chocolate Cake) was worth a quick public shout-out. So there you go.

Man on the Verge

30 Dec

In the film A Single Man, Colin Firth plays George, a gay college professor still mourning the loss of his partner, Jim (Matthew Goode), who was killed in a car accident eight months earlier. The film follows George over the course of one day in 1962, as he prepares to end his life by committing suicide. As George remembers the life he shared with Jim, he is also consoled by his closest friend, Charley (Julianne Moore), who is also still getting over a lost love. Then hope and a chance at a future comes in the form of an attractive student (Nicholas Hoult, all grown up since most folks saw him in About a Boy), who shows interest in George and thinks he can help his professor break out of his depression.

Directed and co-written by the designer Tom Ford, A Single Man is one of the most stylish movies I’ve seen recently. Every frame, every detail, is impeccably arranged and composed — almost to the point of overdoing it — with colors becoming muted and brighter throughout. No surprise, Firth is also very well dressed; all of his clothes were designed by Ford himself. Thankfully, there’s also plenty to feel. Firth gives a heartbreaking performance that’s surely one of the year’s best. Much of the film finds George in quiet contemplation, and the look of sadness on Firth’s face is just devastating.

Thankfully, the film does not stay downbeat throughout. That said, this is clearly not a happy, festive movie. (And, by the way, it is not to be confused with A Serious Man, even though both are set in the 1960s and focus on a college professor.) Rather, this is a showcase for Firth, and a chance for Ford to indulge his cinematic interests. And indulge may be the operative word here. Ford does overdo it a bit, and that becomes a distraction, but so be it. Colin Firth makes the movie worth seeing, in spite of his director’s meddling. But that’s why I’m only going to give this movie a B.

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