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Let’s Go, Golden Girls

30 Jan

Believe it or not, 80 for Brady is a bit of an underdog movie. And that’s appropriate, given that it’s centered around Super Bowl LI, the game where the New England Patriots took on (and beat) the Atlanta Falcons.

The film stars Hollywood legends Jane Fonda, Lily Tomlin, Sally Field, and Rita Moreno as a group of friends who, for years, have gotten together every Sunday to cheer on the Patriots, and who are particularly fond of the GOAT himself, TB12. They’re a spirited and superstitious bunch, as devoted to each other as they are their favorite quarterback. (And yes, Tom does play himself in the movie — as do Rob Gronkowski, Danny Amendola, and Julian Edelman.)

When the Pats beat the Steelers in the AFC Playoffs, the women hatch a plan to get down to Houston for the big game — and wouldn’t you know it, they score four tickets. What happens next is a series of far-fetched scenarios and sitcommy twists designed to show our gals a good time and get them to the stadium to see Tom and the team live and in person.

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You People Are Really Going to Enjoy This Movie

26 Jan

They say good movies aren’t released in January, but Kenya Barris’ You People is the rare exception.

The debut feature from the creator of Black-ish is, what else, a comedic take on modern-day race relations. It tells the story of white, Jewish Ezra (Jonah Hill) who meets Black, Muslim Amira (Lauren London), when he mistakenly gets in her car thinking she’s his Uber driver. The two opposites attract and fall in love, and soon it’s time to meet the parents. Suffice it to say, it doesn’t go well.

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A Forgettable Year for Hollywood Still Had Its High Points

26 Dec

A lot of movies were released in 2022. But how many of them do you remember?

It’s a valid question, because few 2022 releases seemed to be all that memorable — not to mention, have true staying power or any lasting pop culture impact. Not the multiple Marvel movies. (Not even the Black Panther sequel.) There was no underdog crowd pleaser like CODA. Sure, there was Top Gun: Maverick. And a case could be made for Everything Everywhere All at Once, too. But good luck finding anything worth getting excited about this awards season.

Heck, it’s hard to believe a new Jurassic World movie came out just six months ago. It feels like much longer than that.

Yes, in 2022, it felt like movies were more disposable than ever. They came and went, disappearing into the ether or into the vast collection of some streaming network, never to be heard from — or spoken of — again.

Many of them were fine. Just fine. Not awful, but not as good as hoped, either. A bunch were disappointing. And so, now, at the end of the year, even those of us who see a lot of new releases are struggling to remember what we’ve seen.

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2021 Was a Great Year to Go Back to the Movies

27 Dec
Belfast movie scene

After a year and change of pandemic-related limitations, and fewer theatrical releases to choose from, moviegoing was back in 2021. No more did we have to settle for watching films at home, on our TVs or tablets, all by ourselves. With vaccines in our bodies, we could (mask up and) see them on a much bigger screen, with much better sound … with other people!

In short, it was pretty great. Joni Mitchell once said, “You don’t know what you’ve got till it’s gone,” and, while I never took movie theaters for granted, I sure came to appreciate them more when I couldn’t go to them.

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“Spider-Man: No Way Home” Is for the Fans. That’s Not a Good Thing

16 Dec

There’s not a whole lot you can say that won’t ruin Spider-Man: No Way Home, but here’s a non-spoiler: It’s a Christmas movie!

That’s right: Like Die HardBatman ReturnsGo, and many other films before it, the latest Spidey flick takes place during December’s holiday time, which — yes — qualifies it as a Christmas movie. 

It’s also a legitimate event. Unless you’ve been living under a rock, you’ve heard the incessant drumbeat of promotion and buzz, which has made people feel like they have to see it — in a theater! — as soon as possible, before the film is spoiled. It’s one of those truly communal, shared cinematic experiences that are all too rare these days.

God bless it for that. 

But is the film worthy of all that hype? Well … It’s a Wonderful Multiverse this is not.

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My 2021 Soundtrack Reflects the Times (and Music) I Want to Remember

13 Dec

When directors make movies, they work with a music supervisor and a composer to create a soundscape for the film that will deliberately help drive the narrative, boost the desired emotional impact, and leave a distinct impression in the minds of viewers. When done well, hearing a particular song or musical motif included in the movie may trigger memories of that work.

In real life, the process happens somewhat in reverse: The “narrative” of our lives moves forward organically, and the music that triggers memories of certain times and events is not necessarily planned. And, rather than the music itself telling a story, it’s up to us to look at the collection of songs and pick out the themes from the soundtrack in hindsight. In this way, music serves to remind us of the times we’ve lived through, and the music that was playing while we lived — with this caveat: The soundtrack often reflects the times we want to remember. More importantly, it’s made up of the music we want to remember.

I listened to a lot of music in 2021, and my “Now” playlist was everchanging. But as noted, the soundtrack of my year — a.k.a. my 2021 Time Capsule Playlist — largely reflects what was good about these last 12 months.

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Remembering When the Lights First Went Up on Lin-Manuel Miranda

3 Jun

It was March of 2008. Barack Obama had not yet been elected President. No Country for Old Men had just won Best Picture at the Oscars. Among the most popular songs were “Low” by Flo Rida and T-Pain, “Love in This Club” by Usher, and “Love Song” by Sara Bareilles. And around the country, many Americans were unable to identify the Founding Father whose name and face were on the $10 bills they used every day.

That month, after a successful and Drama Desk Award–winning run Off-Broadway, a new show moved uptown to the Great White Way, carrying with it the hopes of producers and investors that it would bring new, younger, and more diverse audiences to Broadway and fill the void left when Rent closed later that year. As successful as this production was, though, no one could have predicted that over the course of the next decade, its creator and star would break boundaries and revolutionize Broadway.

That show, of course, was In the Heights, and its creator and star was a young up-and-comer named Lin-Manuel Miranda — who, as if you need to be reminded, would go on to write the pop-culture phenomenon known as Hamilton.

In March 2008, Miranda was just 28 years old and still largely unknown. He’d traveled the world and performed as part of Freestyle Love Supreme, the hip-hop improv group he co-founded, but Miranda surely wasn’t a household name yet. Nor was he the social media influencer he is today — though, at the time, he did have an amusing YouTube channel where he shared home-video clips of his younger self lip-syncing to songs like “King of Wishful Thinking” and freestyle-rapping about the heat with his friends.

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After More than 14 Months, Go Back to a Movie Theater and Enjoy the Silence of “A Quiet Place Part II”

26 May

There’s a scene in A Quiet Place Part II where the sound cuts out completely.

Regan Abbott, played by deaf actress Millicent Simmonds, has woken up alone and discovered her cochlear implant hearing aid is missing. So she scrambles to find it without making any noises that would alert nearby alien creatures that she’s there. The creatures, of course, respond to sound, and they’re quick moving, so any furniture pivot or accidentally dropped item could mean a sudden attack. And because Regan can’t hear, she wouldn’t have any warning.

Writer/director John Krasinski portrays the scene in total silence — which not only puts us right in Regan’s head, it puts the audience on edge. Yikes.

I was watching the movie in a movie theater earlier this week, and while this scene was unfolding, the place was completely silent — the half-full audience was apparently following the action closely.

And of course, it was right around that time that someone sitting near me decided to put his drink back in the cup holder, which made a just-audible-enough sound that probably would have sent the aliens running for us in an instant if we were on screen.

I may have jumped a little. But then I smiled.

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Movie Watching Just Wasn’t the Same This Year

29 Dec

Usually, around this time, I remark with amazement about how many of the year’s movies I’ve seen over the previous 12 months. Last year, for example, I saw 83 of them. In 2018, I saw 84. In 2017, I saw 85. You get the idea. I typically see a lot of movies every year. In the theater.

In 2020, as of this writing, I’ve only seen 33. And, because of the stupid pandemic, a good number of them had to be seen on my TV or my iPad, alone, at home, at lower volume so as not to disturb my neighbors, and with plenty of distractions from my upstairs neighbors, my phone, and the world outside my windows.

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The Times May Have Changed, But Borat Sure Hasn’t

21 Oct

Sup.

Think back to the time in the earlier part of this century when Sacha Baron Cohen’s Borat Sagdiyev character wasn’t a household name. Sure, he’d appeared on Cohen’s Da Ali G Show. But with the release of Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan in 2006, the world saw a whole lot more of Borat’s bumbling, racist, Anti-Semitic journalist, and those not already in the know became much more familiar with Cohen’s immersive style of guerrilla comedy.

At the time, that movie held up a mirror, and its revelations were still a bit of a shock — that ordinary Americans, particularly those in Red States and those with conservative beliefs, can be a clueless, bigoted, misogynistic lot. Back then, it was actually funny. Very funny.

Fast-forward 14 years. Now we’re in the middle of a pandemic, our culture is politically charged, and our President* creates chaos on the daily, using his bully pulpit to enable hate groups and amplify conspiracy theories. Now we see misogyny, Anti-Semitism, and racism on full display, and ignorance is often encouraged or given a free pass. The things Borat discovered all those years ago have gone mainstream. In short: Reality just isn’t funny anymore. 

So here comes our favorite Kazakh journalist, back with another cinematic adventure, the full title of which is Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan — but let’s just call it Borat 2, okay? Can he make things any better? Ha!

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