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A Swell Evening

22 Nov

Longtime readers of this blog know how much I loved the movie Once when I saw it this past summer.

So when my friend Nina tipped me off that the film’s stars, Glen Hansard and Markéta Irglová, were coming to Boston to do a concert to promote their album, The Swell Season, I didn’t hesitate to get tickets.

And I’m happy to report that while the concert on Wednesday night didn’t recreate the same sense of euphoria that the movie did, it was still a damn good night of music that only makes me love the movie more. Continue reading →

Flame On!

21 Nov

One thing people may not realize is that I know, at least generally, who is reading my blog. So to the two 14-year-old girls in Shrewsbury, PA, who this morning read through my movie reviews and felt the need to, ahem, “burn me bad” by posting anonymous comments after five of the reviews, I say right back at you: Oh, you think you’re so tough, do you? Next time you want to start a flame war with me, try to do it without such bad grammar and so many spelling mistakes. Yeah, that’s right. I’m busting your chops now. (And yes, it’s all in good fun, if I really need to say that.) But if you girls want to comment on anything you read here — and I do encourage you to comment — try being man (or woman) enough to sign your actual name next time instead of doing it anonymously. Then I’ll be impressed.

For everyone else, want to see their comments? They’re hysterical. Here are links to the reviews:
Across the Universe

Because I Said So

Snakes on a Plane

Pirates of the Caribbean: Dead Man’s Chest

Brokeback Mountain (my second review)

Candy Corn

19 Nov

You’ve been warned: Disney’s new movie Enchanted is just about the sugariest, sweetest movie I’ve ever seen. It’s strictly for those with a high tolerance for corn. The film begins in the most cliched Disney animated film ever, where Giselle (Amy Adams), friend to nearly every animal in the forest, is waiting for her true love’s kiss. Along rides Prince Edward (James Marsden), whose stepmother is the evil Queen Narissa (Susan Sarandon), and the two instantly fall in love. Narissa hates Giselle, of course, and before Giselle and Edward can be married, Narissa throws Giselle down a well, where she lands in … Times Square, in non-animated reality. There she meets Rob (Patrick Dempsey), a divorce lawyer, and wouldn’t you know it, Giselle melts his cold, cynical heart. It’s all just so romantic and bright and cheery and colorful and happy. And New York (especially Central Park) has never looked better.

Not that this is actually a great movie (I figured now was a good time to say that). Dempsey gives a rather wooden performance, and even though this is a fairy tale, the story is a little too contrived and the scene at the King and Queen Ball (yes, really) is a little too hokey. But it’s just damned near impossible not to smile whenever Adams is on the screen. She and Marsden both give such enthusiastic performances that you can’t help but have fun watching the film. Also cool is seeing Idina Menzel in something other than Rent or Wicked (even though hers is a pretty thankless role). But yeah, don’t go see this movie unless you’re a sucker for Disney — or you’re a seven-year-old girl with a princess fetish. I’m giving Enchanted a B–.

Take the Money and Run

17 Nov

In the Coen brothers’ new film, No Country for Old Men, Llewelyn Moss (Josh Brolin) comes across a drug deal gone bad and takes a bag with $2 million from the scene.

Anton Chigurh (Javier Bardem), one of the baddest bad guys I’ve ever seen, is hired by some businessmen to track down the money.

And no matter where Moss goes, Chigurh finds him. That bad guy, he’s good.

And so is the film itself.

Also featuring a top-notch performance by Tommy Lee Jones — as Ed Tom Bell, the sheriff on Chigurh’s trail — No Country is one of the best movies of the year. Continue reading →

Family Jewel

11 Nov

Plain and simple, Before the Devil Knows You’re Dead is one of the best movies of the year. Or maybe it would be were it not 5 or 10 minutes too long, and didn’t have as much time-shifting. But that’s minor quibbling when you have such a fantastic acting ensemble and a crackling plot. Philip Seymour Hoffman and Ethan Hawke play down-on-their-luck brothers who decide to rob a jewelry store to get themselves out of dire straits. Of course, nothing goes as planned, and complications arise involving their parents (Albert Finney and Rosemary Harris) and Hoffman’s character’s wife (Marisa Tomei), and soon the boys are in more trouble than before the heist. Director Sidney Lumet keeps the action moving, employing the aforementioned time-shifting device to further shade the characters and reveal their varied motivations, and that works quite well for the first half. But after the first few flashbacks, the device gets tired and it made me roll my eyes. Hoffman and, most surprisingly, Hawke are both excellent, giving performances of intensity and turmoil. Things don’t all go as you expect them to, and when the film reaches its eventual conclusion, not everything is resolved and you’re left wondering what will happen to the characters next. Sometimes that’s frustrating. Here, with all kinds of questionable moral activity going on, it feels appropriate. I’m going to give BtDKYD a strong B+.

Escape Claus

9 Nov

Ho ho holy crap, is this a bad movie. Fred Claus makes me feel like the Grinch and it’s only November 9. I’m not even sure what to mention here to illustrate why this movie isn’t enjoyable — Vince Vaughn’s tired schtick? bad writing? awful special effects? — so I’ll stick with my initial thought, which is that the biggest waste of all is a jolly soundtrack that includes such gems as the Waitresses’ “Christmas Wrapping” and the Jackson 5’s “Santa Claus Is Coming to Town.” You know a holiday movie is bad when even tunes like that can’t lift your spirits. I’m giving Fred a D, for don’t bother.

All Talk, No Action

7 Nov

If you’re going to go see Lions for Lambs, you’d better bring a shovel, or a first aid kit, because when it’s over you’re either going to need to do a lot of digging to get out of the heavy handed speechifying and verbosity, or you’ll be on the mend from being hit over the head with so much righteousness.

No, Lions isn’t a subtle film, and I guess when you’ve got Robert Redford, Tom Cruise, and Meryl Streep headlining, how can it be?

Continue reading →

Real Nice Movie

1 Nov

On the movie spectrum, there are the awesome, award-caliber films on one end, the truly awful ones on the other end, and then, somewhere in the middle, there are the merely pleasant ones — movies with no great agenda other than to provide a diversion for a couple hours.

Dan in Real Life is one of those middle-of-the-road pictures, and it’s meant as no slight to call it pleasant.

Actually, the movie could have been much worse with less talented creative folks involved. Continue reading →

The Real Thing

22 Oct

It would be all too easy to dismiss Lars and the Real Girl as a quirky comedy.

After all, it’s a movie about a guy (Lars, played by Ryan Gosling) who buys a Real Doll and treats it like she is legitimately real and his girlfriend.

But Lars is much better than that description.

In fact, it’s one of my favorite movies of the year. Continue reading →

Local Boy Makes Good

20 Oct

In the opening scene of Gone Baby Gone, Patrick Kenzie (Casey Affleck) talks about how the neighborhood you grow up in is what makes you who you are. And clearly, that pedigree is all over Ben Affleck’s film.

I’m a Brookline kind of guy, and I don’t know Dorchester from anything, but this movie just feels, looks, and sounds authentic. (And for the record, yes, I know Ben’s from Cambridge, not Dorchester. Close enough.)

From the accents (though they’re stronger at the beginning than at the end) to the shots of the streets and people of the neighborhood, there’s no mistaking that this is a set-in-Boston movie.

Hell, Ben even gives a special thanks to Manny Ramirez and David Ortiz in the closing credits.

Gone tells the story of the search for a missing four-year-old Dorchester girl. Early on in the search, the girl’s frantic aunt hires Kenzie, an investigator who gets people to talk because he’s a local boy and knows the neighborhood and, most importantly, works independently of the police.

Kenzie works with his girlfriend, Angie (Michelle Monaghan), and the two initially feel like they are in over their heads because the cases they typically get involved with don’t ever involve the possibility of a dead body.

But they uncover some details the police weren’t paying attention to, and soon they’re also collaborating with two cops (including one played by Ed Harris) and their Chief (Morgan Freeman).

And that’s just part of it.

Based on the novel by Dennis Lehane (who also wrote the book Mystic River), and adapted by Affleck and Lehane with Aaron Stockard, it’s a layered plot with twists and turns that I didn’t see coming.

Acting across the board is excellent, from Casey Affleck on down. Clearly, working with his brother suits Casey (though he was also good in The Assassination of Jesse James …).

But Ben’s made a compelling movie that is a great compliment to Clint Eastwood’s Mystic River, with its working-class neighborhood setting and missing person plotline.

It’s pretty exciting that the movie turned out so well, because I think deep down Affleck’s a good, decent guy (and he certainly has great taste in women), and he was due for something to turn out so well. I mean, you could say the guy didn’t really stretch himself, given that this is such a Boston-centric film. But Gone Baby Gone more than that, more than Good Will Hunting too, and it’s a very impressive achievement.

I’m giving Gone Baby Gone an A–.