Martin's Musings

Among the many things we can thank When Harry Met Sally… for is the not-breaking news that try as they might, men and women just can’t be friends because sex always gets in the way.

If they could, then many, many, many movies would never have been made. Among them: Friends with Benefits, a new film in which two impossibly good looking, single, emotionally detached people decide to sleep together but not date. (Yes, it’s pretty much the same plot as No Strings Attached.)

Will these two eventually get over themselves and fall in love? What do you think? Continue reading →

For some reason, I never did get into the whole Harry Potter phenomenon. I only read the first book from start to finish, and have only seen the first and third movies. On a 1-10 scale, with 1 being muggle and 10 being wizard, I’d probably be a 3. But being a pop culture junkie and a sucker for hype, not to mention an avid reader of Entertainment Weekly, I felt not just obligated to see the final film in the series, but mildly prepared — no matter what my more obsessive fan friends said. And I’ve gotta say, even without all the background or emotional investment, I still thought Harry Potter and the Deathly Hallows: Part 2 was great. So there!

Epic, intense, and really violent, HP7.5 is all about what the entire series has (apparently) been building to: The showdown between Harry (Daniel Radcliffe, who has grown into a very nice actor) and Voldemort (Ralph Fiennes), the evil wizard who killed Harry’s parents. Nearly the entire staff and student body of Hogwarts is on alert, and ready to defend the school and stand beside Harry. Talk about loyalty under difficult circumstances. This is no ordinary children’s movie.

I can’t pretend to appreciate HP7.5 on any level other than as a self-contained film, but on that level, it succeeds wildly. The story builds nicely, the stakes feel real (even if the whole thing’s a fantasy and we know who will win), the effects are convincing, and the acting all around is impressive. I can’t say I feel compelled after seeing HP7.5 to go back and watch the other five films I missed, but I didn’t feel lost during this movie either. This one is satisfying on its own, and definitely worth seeing, even if you’re like me and haven’t seen all the others.

Harry Potter is the boy who lived (no spoiler there), and based on how good the final film in the series is, I’m sure he’ll live on a whole lot longer. I’m giving Harry Potter and the Deathly Hallows: Part 2 a B+.

Despite the fact that I work at an online company producing online content, and I’m a blogger and a tweeter, and I certainly spend more than my share of time tooling around the web, truth be told I still consider myself an “old media” guy.

It’s certainly convenient and easy to find information and read articles online, but that doesn’t compare to the tactile feeling of holding a newspaper or magazine in your hands and flipping through the pages.

Reading an article online often doesn’t come with the same design and layout, and it’s certainly not as permanent as an actual printed piece of media.

So the new documentary Page One is a movie right up my alley. Continue reading →

In Larry Crowne, Tom Hanks and Julia Roberts team up to save the world from an invasion of alien robots. And it’s all in 3-D!

No, not really. In this modern-day dramedy, Hanks stars as the title character, who gets laid off from his job at a Target-like big box retailer because his lack of a college degree makes him unpromotable (he opted for the Navy when he was 18). To right the wrong, and help his future prospects, he enrolls in a community college, where he meets (and falls for) his speech professor, played by Roberts.

I call Larry Crowne a “modern-day” dramedy because the film has a plot that reflects the current reality of so many people who’ve been laid off from their jobs. And yet, Larry Crowne also feels like “The Bad Economy for Dummies,” because it is such a feel-good, accessible film that you don’t really worry about the main character because you know everything’s gonna be alright.

As if that’s not enough, there are lame references to “new media” and use of terminology like “knockers.” Plus, you’ve got Hanks and Roberts in the leads (and on a motor scooter) and a soundtrack that’s heavy on boomer-favorite Tom Petty.

Oh, and there’s a happy ending too where (spoiler) the two main characters fall in love. Suffice it to say, this isn’t Up in the Air or The Company Men. Continue reading →

The next time you hear someone say, “They sure don’t make ’em like they used to,” tell that person to go see Super 8, a throwback movie so retro that you may think it was made 25 years ago (even the poster gives you that impression).

That’s intended as a compliment, of course, as is the fact that writer/director J.J. Abrams has made a movie reeking with old fashioned Spielberg-ian charm, in the best way.

After all, as the saying goes, imitation is the sincerest form of flattery. Continue reading →

You know the classic Burt Bacharach song “Alfie?”

Well, after seeing Tree of Life, you may be asking, “What’s it all about, Terrence?”

The film, written and directed by Terrence Malick (Badlands, The Thin Red Line), is a meditation on fathers and sons, the meaning of life, what it means to be a man, and probably a whole lot of other stuff too. (You get that sense from the poster.)

Actually, instead of a movie, it’s more like a two hour and 15 minute tone poem: There’s little dialogue (no kidding, two characters never speak to each other for the entire first hour of the film), lots of atmospheric shots, little to no plot, short monologues (delivered in a whispery voice over as if they’re a prayer to God), and a whole lot of choral and swelling orchestral music on the soundtrack.

Throw in Brad Pitt, Sean Penn, and some dinosaurs too (yes, really), and the whole thing feels like an exercise in filmmaker indulgence. (Or hubris, depending on your preference.) Continue reading →

I’ve always been a sucker for nostalgia — looking through old photos, rereading old journals, watching old home videos, remembering “good ole days” gone by.

And it’s this time of year when I get especially nostalgic, what with my birthday just days away, the anniversary of my college graduation just passed, and me taking stock of how my present compares to my past, and if I’m better off now than I was.

So you might say that it was more than appropriate timing for me when I saw Woody Allen’s very enjoyable new film, Midnight in Paris, a modern-day fable that celebrates nostalgia. Continue reading →