Chatting About Culture with Mr. Crane

3 Dec

There’s a pretty good chance that David Hyde Pierce won’t see this. That’s because when I interviewed him for Continental magazine a few months back and I asked him about whether he uses social media and is on Facebook or Twitter, the erstwhile Niles Crane responded rather quickly and tersely, “I’d rather die.” Alright, fine. So that subject was a dead end. But thankfully, there was plenty else for us to discuss, and some of that conversation is now on planes and on the magazine’s website for all to read.

No surprise, the man folks know from his TV, film, and stage roles is not much different from the man I “met” on the phone back in August. He was well spoken, even-keeled, polite, and calm, and happy to chat about subjects as varied as Alzheimer’s research and the difference between theater audiences in New York and London. I thought he’d be turned off by a question or two about Frasier, the show on which he starred for 11 years, but instead he told me he’s always happy to talk about it. “I have only been blessed and not been cursed by 11 years of Niles,” he said of the role for which he won four Emmy awards.

Pierce and I conducted the interview so he could promote his role in the current Broadway revival of La Bête, which opened in mid-October and is scheduled to close in early January. In the play, Pierce plays a sophisticated director who clashes with a boorish performer, and that gave me the perfect opportunity to ask him for his thoughts on the current state of pop culture. I figured he’d have something to say about the gap between silly reality shows like Keeping Up with the Kardashians and more substantial fare, and I was right:

“There’s always going to be a large market for crap, and there’s always going to be a smaller market for high art. And the really great works of theater are the ones that manage to bridge the gap. Shakespeare did that. He had his clowns smack in the middle of Hamlet because he understood not only the theater, but that life is a mixture of extreme comedy and extreme tragedy. Life very seldom separates itself into one or the other. The things I’ve been drawn to, Frasier included, are things that mix both the high art and low art, or comedy and seriousness.”

It was truly a pleasure to speak with David Hyde Pierce. If you’d like to read my article, just click here.

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