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Killer Movie

8 Sep

If you’re looking for a man’s man movie, look no further than 3:10 to Yuma. A remake of an older movie (which I haven’t seen), Yuma tells the story of Dan Evans (Christian Bale), a down-on-his-luck rancher, who joins a team transporting convict Ben Wade (Russell Crowe) to the town of Contention, where Wade will board the 3:10 train headed to prison in Yuma, Arizona. Crowe is at his charming, but gruff, badass best, and Bale gives a fantastic performance as well. Ben Foster (Alpha Dog, X-Men: The Last Stand) plays a psychotic member of Wade’s gang, and he steals some scenes easily. Director James Mangold (Walk the Line) keeps the action moving, guns ablazing throughout, and doesn’t hold back on the testosterone. Sure, this is a western, but don’t call it classic style; the characters curse and speak like they are modern-day western characters. And speaking of testosterone, there are just two women in this movie. Between them, they have about 15 minutes of screen time — total. Yuma may just end up being one of my favorite movies of the year. I’m giving it an A-.

Hey Jude, You Made It Bad

5 Sep

Is there anybody going to listen to my story, all about the film I saw today … ? (Or Wednesday night, to be more exact.)

Across the Universe is director Julie Taymor’s strange, strange movie set to the music of the Beatles (33 songs in all). To cut to the chase, it’s a mess. A truly bizarre, unnecessary mess of a movie. Often it takes the really easy way to a cliche; for example, the lead characters are named Jude and Lucy, and there’s another one named Prudence. Yes, this means you’ll hear “Hey Jude” and “Dear Prudence” during the film. (Mercifully, “Lucy in the Sky with Diamonds” is saved for the end credits.) “Let It Be” is recast as a gospel song and sung during race riots and a funeral. And worse, “With a Little Help from My Friends” is sung by a bunch of drunk college students.

The film goes from strange to stranger. And then Bono shows up to sing “I Am the Walrus,” followed by Eddie Izzard singing “Being for the Benefit of Mr. Kite.”

And it’s a long movie, too (more than two hours).

Sure, the songs are good, but they’re not always the right fit, and too often they feel forced into the story. I laughed out loud during “Revolution.” And I didn’t ever really buy that Evan Rachel Wood was doing her own singing. (On the other hand, Jim Sturgess, who plays Jude, makes a decent impression. And T.V. Carpio’s version of “I Want to Hold Your Hand” is tender and sweet.)

Can’t say anything really makes Universe worth seeing. Nothing’s gonna change my world, not least of all this movie. I’m giving it a D.

Bah Humbug

17 Aug

Jeez … someone forgot to put sugar in Virginia Heffernan’s coffee this morning — or rather, whenever it was that she watched High School Musical 2 and wrote her review for The New York Times.

Of the movie, she writes that there’s “so much to hate. Just search the bottom of your shriveled little sunless heart. You’ll figure it out. The widespread pressure to embrace the experience as kitsch only twists the knife. This is supposed to be the time of your life, and yet — oh brother. Just like high school. Just like a musical.”

She criticizes the bad lip-synching, the tanned skin (mind you, the movie takes place in the summer), the dancing … she just really didn’t like it. And yet, she ends her review this way: “The movie is mediocre, and should be skipped. But I can’t wait to buy the soundtrack and do the karaoke.”

So at least she doesn’t have a heart completely full of coal. Continue reading →

Calling All Nannies!

16 Aug

I received a press release from the Weinstein Company this afternoon alerting me that to promote the new movie The Nanny Diaries, which hits theaters next Friday (8/24), companies around the country have banded together to create Nanny Week, and to offer special discounts to those who toil each day supervising children. How nice, right? Well, the cool thing is, why limit the promotion to just those few people? So the coupons — which are good at places like Baskin-Robbins, Blockbuster, and Victoria’s Secret — are available to anyone, no proof of child supervision required. Click here to check it out. The promotion and coupons are only good from tomorrow (8/17) to next Friday, so don’t wait too long to take advantage. Enjoy!

Geek City

14 Aug

As the saying goes, If You Lived Here, You’d Be Blogging Right Now. I read in the Boston Globe this morning that according to the Web site Outsidein.com, Boston is the bloggiest city in the country, with 89 posts per 100,000 residents recorded in March and April of this year. Good for us. I guess we have a lot to say. But it brings up an interesting question: what was I saying back then? Let’s take a trip in the wayback machine, shall we?

Ahh, March and April. Those were the good ole days of Haley Scarnato. When Dice-K was just bad, not quite awful yet. Back then I was listening to Amy Winehouse and making fun of Best Buy (how times have changed). There were good movies and not-so-good ones. Ah yes, March and April. Those were good times. No wonder I was blogging so much. And to think, we only had one more post than the greater Philadelphia area. I wonder if they counted this one or this one. Either way, I say Ha! Take that, Philly! (And yes, that was said with all due sarcasm.)

Welcome to P-Town

12 Aug

It’s really a shame that Talk to Me hasn’t found a bigger audience this summer, but I guess it’s not really too surprising. After all, how can a bio-pic about a Black radio DJ compete with the action of The Bourne Ultimatum or the humor of Superbad? The answer is it should have, because while Talk to Me might not have explosions, it does have an explosive performance by the always reliable Don Cheadle, making this the second great one he’s turned in this year (the other being Reign Over Me).

As noted, Talk to Me tells the story of Petey Greene, an ex-con who worked for a time at Washington, D.C. radio station WOL and became a hero in the urban community for discussing life in an uncensored, unvarnished style — basically telling it like it is. The film describes how Greene initially unsettled his white bosses, but ultimately earned a regular gig when he calmed his listeners following Dr. Martin Luther King Jr.’s assassination. It then shows how Greene became a media sensation with stand-up comedy gigs and a regular television show. (Here is a famous clip where Greene described the “proper” way to eat watermelon.)

But the film is more than that, and really, at its core, it concerns the relationship between Greene and his boss/manager/friend, Dewey Hughes (Chiwetel Ejiofor), two Black men coming from different places and points of view. While Greene is a product of the streets and sees himself as a real Black man, he views Hughes as simply a white man with a tan because he has assimilated into the establishment. Hughes views Johnny Carson as a hero, and he tries to make Greene more like him. But more importantly, the two men share a tight bond: one says what the other wants to say, and the other needs the other to say what he wants to say. Ejiofor (Love Actually, Children of Men) paints a sympathetic portrait of Hughes, and portrays him as a seeming polar opposite of the more raucous Greene. It’s a very good performance.

Talk to Me isn’t perfect entertainment; it feels longer than its two-hour running time and were it not for the Hughes-Greene dynamic, it’d be a pretty standard-issue film, with a plot similar in nature to Good Morning Vietnam. But Cheadle, as always, makes the movie worth seeing, and he’s also supported by Cedric the Entertainer, as another DJ at the station, and Taraji P. Henson (Hustle & Flow), who brings laughs and excitement to her role as Greene’s girlfriend. If you can still find it in a theater near you, I’d say the movie’s worth seeing. I’m going to give it a strong B.

Brokeback Entourage?

12 Aug

If you’re as big a fan of the TV show Entourage as I am, you know this video is complete fiction and totally ironic. It’s also really good and very funny. It’s perfectly edited, and uses the Brokeback music so well that you might think this is actually what the show is about. And it’s better than this version, about two different characters on the show. Have a watch.

Bourne Again

1 Aug

From the very beginning, the Bourne movies have been thinking person’s action films: they’re dense with plot, well-acted, and filled with exciting action scenes.

The Bourne Ultimatum is no exception to that rule.

It starts off with a chase in Moscow, filmed with handheld cameras in a style that puts you right in the middle of the action and heightens the suspense, and doesn’t let up until its conclusion less than two hours later (talk about an efficient film).

Damon, as always, is great, and he’s joined here by Joan Allen (reprising her role from The Bourne Supremacy), David Strathairn, and Albert Finney.

The handheld camerawork continues throughout the film, giving it a jittery look, and director Paul Greengrass (also returning from Supremacy) stages an edge of your seat chase through Tangiers and a short but effective one in New York with Bourne driving a police car, both of which are really cool.

But some of the dialogue feels stilted, and I don’t think the movie’s as good or exciting as Supremacy was.

Still, calling Ultimatum the lesser of the three films is like saying chocolate is the worst ice cream flavor — it may be lacking in ingredients, but it’s still pretty darned good.

And that’s why I’m giving Ultimatum a B+.

Back to the Drawing Board

29 Jul

Truth be told, I can’t remember the last time I watched an episode of The Simpsons TV show. And yet, The Simpsons Movie I just had to see. It’s funny enough, but I feel like it was just another episode of the show, unlike, say, South Park: Bigger, Longer & Uncut, which was so much more than an expanded bit. Still, I don’t want to discount the movie too much, because I did laugh from start to finish (and by finish I mean midway through the end credits when the Simpsons get up out of their seats — there’s no need to stay all the way until the very end). And it’s pretty clever at points. But yeah, I can’t say the movie made me want to go home and catch up on all the reruns and start watching again when the new season starts in the Fall. I guess that’s a shame. It’s exciting that the Simpsons have made a movie, but something about it still feels like a missed opportunity. I think I may have enjoyed making my Simpsons avatar a little more (and the version that’s in my profile came from SimpsonizeMe.com.) Oh well. I’m giving The Simpsons Movie a B.

The Beat Goes On

16 Jul

I have to say, I really enjoyed the movie adaptation of the Broadway adaptation of the film Hairspray.

It’s so much fun that even non-fans of Broadway shows might like it.

It’s bright, colorful, full of great songs and showstopping musical numbers, and it just leaves you with a huge smile.

Director Adam Shankman seems to have perpetual jazz hands on and directs in a style where every song seems engineered to be a crowd pleaser.

And thankfully, most of it works pretty well. Continue reading →