We’re not in Kansas anymore, kids.
Again.
Picking up where The Matrix left off, Christopher Nolan’s new film, Inception, presents a reality that’s not quite what it seems.
And then Nolan layers it with twists and turns that only generate more questions and more questions.
The film’s like a dream within a dream within a dream within a dream.
Or is it?
Just how much of the action in Inception is real, and how much is a dream? That all depends on whether you want to swallow the red pill or the blue one. Continue reading