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Leave It to The Beaver

11 May

It would be tempting to see The Beaver and want to draw parallels between the film’s plot and star Mel Gibson’s last couple years.

After all, the film tells the story of a man who reaches bottom and finds an unusual method of snapping out of it and reconnecting with friends and family. But that would be too easy … and perhaps more importantly, I’ll bet even Mel Gibson, crazy as he is, wouldn’t go so far as to talk through a hand puppet.

Yes, that’s the plot here: Walter, a depressed husband and father (Gibson), finds a beaver hand puppet in a dumpster and adopts it as his sole means of communicating with those around him. (Yes, really.) Continue reading

It’s Mission In-Freakin’-Sanity

9 May

It’s the rare film series that makes it to a fifth entry and still manages to entertain.

And who’da thunk it that the Fast and Furious series would be a series that did both?

Fast Five reunites original cast members Paul Walker, Vin Diesel, and (the gorgeous) Jordana Brewster, and shifts the action to Rio, where the team schemes to pull off a heist involving the city’s largest crime lord.

New to the series is Dwayne “The Rock” Johnson, as an FBI agent hot on their trail. (No wonder Walker and Diesel’s characters bring back other former F&F stars, including Chris “Ludacris” Bridges and Tyrese Gibson, who both appeared in the second film). Continue reading

Sell Out

25 Apr

It’s not exactly breaking news that advertising and marketing is everywhere.

Anyone who’s visited Times Square knows this, as do the millions of viewers who watch American Idol every week. (Seriously, who hasn’t cringed multiple times when seeing the judges drink from their Coca-Cola glasses or the finalists perform in another Ford commercial?)

So Morgan Spurlock’s latest film, The Greatest Movie Ever Sold doesn’t exactly shock.

Nor does it present new revelations.

However, it does entertain.

Like his previous film Super-Size Me, Spurlock handles his topic with humor and self-awareness. Continue reading

No Man Can Walk Away from His Own Story

29 Mar

From out of the desert, a man with no name arrives in a run-down town in the Old West.

And though that sounds like the plot of a stereotypical western, Rango takes the cliches and tweaks them.

For one thing, this is no ordinary man; in fact, it’s not a man at all. The title character is a chameleon who can’t blend in because he has such a penchant for sticking out.

And his eccentricities lead to him becoming the sheriff of and savior for a town called Dirt, where the residents are down to their last drop of water. Continue reading

Accurately Named

28 Mar

The difference between average movies and very good ones usually comes down to one word: characters.

If the filmmakers can’t make you believe that the people on screen are real, that they have actual emotions and feelings, and if you don’t care what happens to them, then chances are good that they’re overcompensating with high-concept gimmicks, lame jokes, or special effects.

There’s no need for such things in Win Win, a film that’s special because it’s got great characters you can’t help but like and root for. Continue reading

He Can See Clearly Now

21 Mar

Nancy Reagan and South Park‘s Mr. Mackey would not be fans of Limitless, the new movie in which Bradley Cooper takes a drug that makes him smarter, faster … better.

Cooper plays Eddie Morra, a struggling writer in New York, who is introduced to the aforementioned smart pill, and is instantly able to write, predict stocks, outsmart others, dress better, and more. I’d let you predict what happens from there, but to its credit, the film’s plot is not entirely predictable.

Limitless is fast-moving and generally enjoyable, but I’ve gotta admit that it feels a bit too self-aware, like it’s trying too hard to be a hip and cool version of Flowers for Algernon or something.

There are worse ways to spend your time, but I’m only going to give Limitlessa B.

Movies I’ve Seen (2010 Releases)

28 Feb

(click on the link for my review)

1. VALENTINE’S DAY

2. SHUTTER ISLAND

3. ALICE IN WONDERLAND

4. GREEN ZONE

5. SHE’S OUT OF MY LEAGUE

6. HOT TUB TIME MACHINE

7. GREENBERG

8. THE GHOST WRITER

9. DATE NIGHT

10. IRON MAN 2

11. PLEASE GIVE

12. GET HIM TO THE GREEK

13. SOLITARY MAN

14. TOY STORY 3

15. KNIGHT AND DAY

16. GROWN UPS

17. JOAN RIVERS: A PIECE OF WORK

18. CYRUS

19. DESPICABLE ME

20. INCEPTION

21. SALT

22. THE KIDS ARE ALL RIGHT

23. WINNEBAGO MAN

24. DINNER FOR SCHMUCKS

25. THE OTHER GUYS

26. THE EXPENDABLES

27. EAT PRAY LOVE

28. PIRANHA 3D

29. THE AMERICAN

30. GOING THE DISTANCE

31. EASY A

32. THE TOWN

33. WALL STREET: MONEY NEVER SLEEPS

34. CATFISH

35. THE SOCIAL NETWORK (3x)

36. BURIED

37. WAITING FOR “SUPERMAN”

38. SECRETARIAT

39. IT’S KIND OF A FUNNY STORY

40. RED

41. JACKASS 3D

42. WELCOME TO THE RILEYS

43. DUE DATE

44. 127 HOURS

45. MORNING GLORY

46. LOVE AND OTHER DRUGS

47. BURLESQUE

48. THE FIGHTER

49. BLACK SWAN

50. I LOVE YOU PHILLIP MORRIS

51. TRON: LEGACY

52. THE KING’S SPEECH

53. LITTLE FOCKERS

54. THE TOURIST

55. SOMEWHERE

56. TRUE GRIT

57. RABBIT HOLE

58. HOW DO YOU KNOW

59. BLUE VALENTINE

60. THE COMPANY MEN

Will Oscar Voters Get Social?

26 Feb

A little more than a month ago, this year’s Oscar ceremony was looking like it’d be a big snooze. Again. Not including the unpredictability of hosts Anne Hathaway and James Franco, we knew what was going to happen awards-wise: The Social Network had taken all the major critics prizes and the Golden Globe award for Best Motion Picture (Drama). It, along with director David Fincher, screenwriter Aaron Sorkin, and composers Trent Reznor and Atticus Ross, seemed assured of cruising to the Oscars knowing they’d be winners that night too. Same goes for Colin Firth and Natalie Portman, and David Seidler, screenwriter of The King’s Speech.

But then The King’s Speech received 12 Oscar nominations and started winning major guild prizes — including the SAG and DGA — and the tide was turned. But when Social Network won the editors’ guild award, that may have turned the tide back; the editors are a reliable predictor of industry leanings for Best Picture. Now there are fewer sure things, even though pundits everywhere are predicting King’s Speech to win Best Picture. Other races have gotten much closer as well, including Best Supporting Actor and Best Supporting Actress. That’s going to make for what I hope is a fun and exciting ceremony.

If you still haven’t cast votes in your own Oscar pool, Firth, Portman, Sorkin, Seidler, Toy Story 3 for Best Animated Feature, and Inception for Best Visual Effects are all good, smart bets. My money’s still on Social Network (my favorite movie of 2010) to win Best Picture, and I’m still pulling for Fincher, Reznor, and Ross to win their categories too. Want to know what else I’m picking? Here’s my ballot:

Yes, I’m really excited about this year’s Oscar show. I saw 60 movies last year. My hopes are high. I wrote a blog post about the Oscars for work. I’m planning to sit in front of the TV starting at around 6 p.m. for all the pre-show coverage, and I’ll likely stay up to catch some post-show action too. (Yes, I’m expecting to be tired on Monday.) Want to know my reactions to what’s happening? I’ll probably be tweeting my thoughts during the show. Oscar night is my Super Bowl, my Election Night, and I’m looking forward to a real prize fight — hoping that The Social Network comes out on top, of course.

Who are you rooting for?

Fired Up

24 Jan

These past two years, I’ve never stopped saying how lucky I am. At the end of 2008, I voluntarily left my old job because I’d found a new one at a growing, successful company — one that’s kept on growing. While others lost their jobs or had their paychecks cut, my job remained stable and my salary actually increased. And while many people said 2009 was an awful year, I said the exact opposite. I don’t tell you all this to brag. I tell you because while watching the film The Company Men, I was reminded of just how lucky I am.

As opposed to other films that show the effects of the economy on working class Americans, The Company Men shows what happens to more affluent white-collar people when they lose their jobs. In the film, Ben Affleck plays Bobby, an arrogant young executive at Boston-based global shipping company GTX, who is laid off as a result of downsizing and has a hard time dealing with his changed life. The difficult economic climate also affects his boss, Gene (Tommy Lee Jones), the company’s original employee, and his colleague Phil (Chris Cooper), both of whom try to stop the layoffs and have a tough time adjusting when the axe falls on them too.

Of course, focusing on guys with big houses and fancy cars proves to be a reason why The Company Men isn’t the engaging film it could have been. After all, it’s really hard to have much sympathy for people like Bobby, who stubbornly keep their Porsches and their golf club memberships even though it’s now a struggle to pay the mortgage and college tuition. It takes until halfway into the film for Bobby to get over himself and not live in denial, and that’s why the second half of The Company Men is better than the first. Also, it’s tough to buy into the plot twist that Gene is having an affair with the head of human resources, when he disagrees so strongly with what she’s doing. (Then again, she’s played by Maria Bello, so I guess I do understand.)

But aside from those grievances, The Company Men is not a bad movie. For one thing, it’s marked by fine acting across the board. You do eventually feel sympathy for each one of the guys, and for the family members who are also affected — or at least you feel it for Bobby’s family. (It’s worth noting that Kevin Costner gives a nice, quiet performance as Bobby’s working class brother-in-law, who gives Bobby hope and purpose when no one else will.) Writer/director John Wells (ER) has created a film that illustrates the ridiculousness and emptiness of motivational outplacement counselors, shows the heartbreak that happens when a potential job opportunity doesn’t pan out, and gives voice to the frustration that results when people don’t just lose their job and paycheck, but their whole identity as well. In fact, The Company Men would make a decent double-feature companion for Up in the Air because it too makes an interesting statement about our current economic climate.

Of course, The Company Men won’t be considered a classic like Up in the Air was. But the performances make the film worth seeing, and who knows, maybe it’ll make you feel lucky too. I’m giving The Company Men a B.

You Always Hurt the Ones You Love

11 Jan

In the absolutely devastating film Blue Valentine, Ryan Gosling and Michelle Williams play Dean and Cindy, a couple whose marriage is on the rocks (to put it mildly).

Over the course of the movie, we see in flashbacks how the couple met and fell in love — it’s this juxtaposition that pretty much defines the expression “the gamut of emotions.”

Blue Valentine is a love story gone wrong, and at its center are two excellent, award-worthy performances by Gosling and Williams. They help make this a very impressive film. Continue reading