Christopher Nolan’s latest, Dunkirk, is a film for anyone who wished the opening scene of Saving Private Ryan was an hour and a half longer.
The director of the The Dark Knight Trilogy, The Prestige, and Inception has given us a definitive account of one of World War II’s most heroic and miraculous — not to mention, pivotal — events, and in the process, has made a movie that is a real must-see. Continue reading
Movie-watchers got their first look at Tom Holland in the Spider-suit last year, when the erstwhile Peter Parker was recruited by mentor Tony Stark (aka Iron Man) to help him in the fight against Captain America, et al. in Captain America: Civil War. Holland was such a blast of energy in the role that he practically stole the film right out from under stars Robert Downey Jr. and Chris Evans.
Now, Holland gets his own stand-alone Spider-Man film in Spider-Man: Homecoming, and shows that the inflated cameo was no fluke. This Spider-Man is the one we’ve been waiting for. Or, you might say, third time’s the charm. Continue reading
Photo credit: Stephanie McCabe / Unsplash
You don’t need a reason to make a playlist, but a holiday sure does provide a good one.
And today, on July 4th, one of my favorite days of the year, I like listening to one of my favorite Spotify playlists. Like my summertime mix, it’s a collection of songs all built around a theme — in this case, the word “America.” All included songs feature some use of the word America (or a variation of it) in a prominent way — which is why John Cougar Mellencamp’s “Pink Houses” qualifies, but, say, “Horse with No Name,” by the band America, does not. Bruce Springsteen’s “4th of July, Asbury Park (Sandy)” may be an exception to that rule, but come on. How could I not include it?
And, because it’s a mix for the Fourth of July, there are a few patriotic or July 4th or “Independence Day”–themed or related songs (like Chicago’s “Saturday in the Park” and Katy Perry’s “Firework,” natch) thrown in too. Yes, there are even some songs, like Springsteen’s “Born in the U.S.A.,” that sound patriotic, but really aren’t.
I call this playlist, no surprise, American Tunes. Continue reading
Like so many single people of a certain age, Kumail Nanjiani is getting pressured by his family to get married. But there’s a “twist”: In traditional Pakistani Muslim culture, you don’t choose your spouse, it’s all arranged for you. And so, at every family dinner, a potential wife just happens to be in the neighborhood, and shows up right before dessert.
But Kumail wants nothing to do with that custom. Since moving to Chicago at a young age, he’s stopped praying and has been assimilating into American culture. Instead of becoming a doctor, he’s chosen a career as a stand-up comedian. (Fine. He’s also an Uber driver.) And, as the new movie The Big Sick begins, he meets an American woman named Emily (Zoe Kazan, writer and star of the excellent Ruby Sparks), and the two start dating. Continue reading
Baby Driver is a movie for anyone who lives life with a constant soundtrack of music playing. Those who sing along with the radio, change the way they walk or drive depending on the song they’re listening to, and can’t sit still when they go to concerts.
This one’s for all of us.
Nowhere is this more true than in its opening credits sequence, where our title character (played by Ansel Elgort, from The Fault in Our Stars) doesn’t so much walk through the city as he grooves, while listening to Bob & Earl’s “Harlem Shuffle.” Eagle-eyed viewers will spot song lyrics appearing as graffiti on the walls.
Nice touch. Continue reading
Martin's Musings 