Martin's Musings

In I Love You, Man, Paul Rudd plays Peter, that probably all-too-common guy who is so whipped that all his friends are his girlfriend’s girl friends and he has no guy friends to call his own. So when he proposes and needs to fill out his wedding party, Peter is at a loss. His family tries to set him up on “man dates,” but those all go predictably awry. Then one day, Peter meets Sydney (Jason Segel), and his life becomes more complete. These two hit it off instantly, and proceed to bond over fish tacos and a love for the band Rush.

Led by the thoroughly likable performances of Rudd and Segel — who are joined by a supporting cast that includes Andy Samberg, J.K. Simmons, Jon Favreau, some of the Best Week Ever players, and the Hulk himself, Lou Ferrigno — I Love You, Man is, to borrow Sydney’s term, delightful. Though heightened for comic effect, Peter’s predicament rings true, and the two guys’ chemistry just feels very real. To put it most simply, I Love You, Man is totally sweet, easy, fun, winning, and it just works. This is a movie that will charm audiences for a long time. I’m giving I Love You, Man a B+.

All is not what it seems in Duplicity, writer/director Tony Gilroy’s followup to the Oscar-nominated Michael Clayton.

Set in the world of corporate espionage, Duplicity follows Ray and Claire (Clive Owen and Julia Roberts), former MI-6 and CIA agents who team up to pull off a scam involving two competing drug companies.

But who can be trusted when there’s so much at stake?

Are Ray and Claire really on the same page or are they looking out for themselves, and will the plan really come together without anyone finding out? Continue reading →

So that explains it. A year ago, I noticed some strange graffiti on a wall near the Star Market in Allston. My post was picked up on Universalhub.com and Boston.com, and all kinds of people came to this site to see what all the fuss was about. Well, 12 months later, I’ve found out in the Improper Bostonian of all places that the supposed film criticism was not that at all, but a reference to a Demetri Martin joke. Well, I guess that explains it. And don’t I feel silly now.

Sometimes a movie is pleasant and all, but it just feels pointless. So it is with Sunshine Cleaning. The story of Rose Lorkowski (Amy Adams), a young woman who starts her own crime-scene cleanup business with the help of her slacker sister, Norah (Emily Blunt), Cleaning was one of the finds at the Sundance Film Festival more than a year ago. The film was produced by the same folks who produced Little Miss Sunshine, and like that film, Cleaning also stars Alan Arkin as a cantankerous old man who has a good relationship with his grandchild. But a similar name and costar are really all these two movies have in common, and that’s probably why it took so long for the film to actually hit theaters. Cleaning has very little of the charm and emotion that Little Miss had, despite having Amy Adams in the lead. There’s a pretty creepy subplot involving Norah and the daughter of a deceased woman, and Rose just, well, I never really felt like I wanted to root for her. The movie’s not a total mess or anything, but it’s definitely not as quirky as it thinks it is. I expect the fate of Sunshine Cleaning will be much like the scenes Rose and Norah clean up, with nary a trace of it left in just a couple hours. I’m giving the movie a C+.