Goodbye, Superstar

23 Apr

I’ve always known American Idol was a total crock, but tonight, with the premature ouster of Carly Smithson, the show proved again that the voters clearly don’t recognize talent. This video below is of Carly’s performance last night of “Superstar,” from Jesus Christ Superstar (it was Andrew Lloyd Webber night), and damn if it wasn’t one of the top 3 of the night (another being Syesha Mercado‘s performance of “One Rock & Roll Too Many”). Brooke White and/or Jason Castro definitely should have been in the bottom two, and one of them should have gone home. Sigh … Oh well. Goodbye, Carly. Best of luck to you.

Go, Speed Racers, Go!

21 Apr

Living right on the marathon route has its disadvantages.

Knowing that Comm Ave would be closed at 9 a.m. today meant I had to leave New York — where I was for Passover — by 6 a.m.

Thankfully, at that hour, there’s not much traffic, so I got home around 8:30. Continue reading →

Back to Books

18 Apr

The nice thing about having a longer commute is that I get a lot more time to read now than I had when I took the C line from Coolidge Corner. In fact, I get almost double the time. It means I can plow through the latest issues of Entertainment Weekly in a day, for example. But then it leaves me with all sorts of time to fill. So, I’ve gotten back on the book-reading train. Perhaps you’ll be amused to know that while I dove right in to A.J. Jacobs’ The Year of Living Biblically last summer, I hadn’t read much of it since the end of October. Well, now, nearly six months later, I’ve finally finished the book. Yeah, it sure did take me long enough. But now I’m wondering what I’ll read next. Thankfully, I have a cleaned-up bookshelf full of options. Perhaps I’ll go back to Honeymoon with My Brother. Maybe I’ll finally read Tom Perotta’s Little Children. Or maybe it’s finally — finally! — time for me to read Faithful, Stephen King and Stewart O’Nan’s document of the 2004 Red Sox season. Something tells me I’ll leave those on the shelf and instead pick up a fun little collection called Things I’ve Learned from the Women Who’ve Dumped Me. That might be just the book I need to ease me back into this habit.

I’m Just Saying …

17 Apr

Getting off the T at Park Street/Downtown Crossing is so much nicer when there’s not a Boston Now hawker waiting for you at the top of the stairs. It’s a small thing, yes, but it makes the morning commute a little more pleasant.

Kids Ask the Darndest Things

16 Apr

http://www.msnbc.msn.com/id/22425001/vp/24138651#24138651

B Not So Bad

14 Apr

You know, people (myself included) give the B line a bad rap. But now that I’ve taken it to and from work for a week, I have to admit: I’m changing how I feel about this dreaded line of the MBTA. Sure, maybe it’s because I get on at the very beginning, way out at Boston College, and I get a seat every day (actually, I’ve gotten the exact same seat every day). But the fact is, I get on the train at 8 a.m., get out a magazine, and less than 45 minutes later I’m at Park Street. Total time, door-to-door: less than an hour. Of course, this changes if I’m out at 8:10, and it means the train ride takes closer to an hour. But the fact is, for me, the ride is a smooth and enjoyable one. Not getting on somewhere further on down the line means I don’t have to squeeze in and find room to stand. I’m actually quite comfortable, and I don’t even notice how crowded the train is or where we are until we’re somewhere around Packard’s Corner. Heck, I didn’t even notice all week that the block I used to live on (around 1322 Comm Ave) is now totally different. I know some stops have been eliminated in the first half of the route over the past few years, and I’m telling you: this train moves a lot faster than it did when I last took it regularly, in 2001. A lot. The weirdest part of the whole thing is that now I get to work much (for me, at least) earlier than when I used to live closer to the office. It’s a little disorienting. And I also know that if I’m on the way home and a B train comes that’s too crowded, all I have to do is take a D line train and transfer at Reservoir/Chestnut Hill Ave. It’s just that simple.

The commute was my biggest concern about buying a condo so far out of the city, but so far, it’s a non-issue for me. So, at least for now, you won’t hear me complaining about the T. Nice.

Pregnant Pause

13 Apr

In the category of Pleasant Comedies, you can add Baby Mama. It’s a better than average film, with some decent laughs — none of which come close to, say, Forgetting Sarah Marshall — that’s never quite as good as you want it to be. That’s because the script isn’t as sharp as it should be; unfortunately, it strands stars Tina Fey and Amy Poehler in Mediocre Land. We’ve definitely seen them better on “Weekend Update” back on Saturday Night Live.

Baby Mama is the story of Kate (Fey), a successful single woman who has decided that after years of putting her career first, she now wants a baby. Learning that she is unable to conceive, Kate hires Angie (Poehler), a working-class woman of questionable morals, to be her surrogate. This seems like a setup that could let Fey make fun of celebrity adoptions and career women and other timely subjects. If she had written the script, maybe she would have. But instead, writer/director Michael McCullers aims his arrows at subjects like Jamba Juice and Whole Foods–like stores, and they don’t really stick. Fey and Poehler have real chemistry and are generally enjoyable to watch — more so than Steve Martin, who looks embarrassed in an unbilled role as Kate’s boss — but they almost look pained to be put in such lame situations. Hopefully these two will get the chance to star in a Fey-written comedy in the future. (That is, another Fey-written comedy — both appeared in Mean Girls.) For now, their Baby Mama only rates a B– from me.

Not So Smart

10 Apr

Full disclosure: I also saw Smart People this week, on Monday night.

It’s the story of a dysfunctional family with all kinds of Independent Movie Quirks, and there’s not too much of a plot, and I wasn’t really enjoying it, and, well, I fell asleep in the middle, so I missed about a third of it.

(What? I was tired from the move.)

I’m not going to bother giving the movie a grade (though C comes to mind), but I wanted to at least mention that I’d seen it, just in case you saw it advertised and wondered what I thought.

Pivot!

10 Apr

I’m not really sure how I totally forgot about this clip, given what happened with the move on Saturday and all, but better a few days later than never. This is one of my all-time favorite scenes from Friends, and minus annoying Ross, it’s pretty similar to what happened when we tried to get my couch into my new apartment. Enjoy.

Breaking Up Is Hard to Do

9 Apr

Anyone who’s ever been dumped knows how hard it is to get over someone you love. For Peter Bretter (Jason Segel), it’s near impossible. His girlfriend, Sarah Marshall (Kristen Bell), is seemingly perfect, and even though she has the lack of courtesy to break up with Peter while he’s completely nude (not the last time he’ll be nude in this movie, by the way), he still pines for her. To escape the constant reminders of their relationship, Peter goes to Hawaii, where, what d’you know, Sarah’s there with her new boyfriend. It turns out Forgetting Sarah Marshall is more challenging than Peter thought.

Thankfully, liking this movie is much easier. Written by Segel, it includes many quotable lines and doesn’t fall for the typical romantic comedy cliches. Yes, Peter meets an equally engaging young woman (That 70s Show‘s Mila Kunis) and sure, Sarah’s new boyfriend is an idiot, but things don’t always go as expected with this foursome. Delivering the dialogue is this very appealing cast, led by unexpected leading man Segel. As with Knocked Up, the leads here are a pretty unlikely couple, but you can believe why they’d actually be together. Knocked Up writer/director Judd Apatow produced this film, and things are rounded out by amusing performances by a supporting cast that includes his regulars Jonah Hill, Bill Hader, and Paul Rudd. The laughs here aren’t as big as Knocked Up or Superbad, but FSM is definitely worth seeing. I’m giving it a strong B.

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