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Christmas Is Coming

27 Nov

Thanksgiving: a weekend that is simultaneously too short and too long. How is that possible?

But anyway, now that we’re over that hump, we can start the countdown to Christmas. I’ve begun the season by finding an MP3 of Jamie Cullum singing “Let It Snow” (thanks to Cullumography.com). You can bet that it will be on A Very Marty Xmas 2006. And this past weekend I purchased both Sufjan Stevens’ Songs for Christmas and Aimee Mann’s One More Drifter in the Snow. Songs from both albums will definitely make it onto my CD as well. I know I have a hard act to follow after last year’s mix, but I’m feeling up to the challenge, and looking forward to choosing songs.

Got any suggestions, or know of songs I’ve missed in year’s past? You can assume my mixes have already dipped into the classics; last year I wrote about a “best of the box” mix that would probably include most of the obvious candidates. So what else should I know about? I’m open to ideas.

And for the record, I will not be changing the name of my mix to A Very Marty Holiday. Unlike the city of Boston, I know what should be called a “Christmas” symbol and what should be a more generic “holiday” symbol. I can’t believe that after last year’s brouhaha, it seems the whole thing is about to start up all over again. It’s just silly, if you ask me.

There’s Music in the Night

30 Sep

I told Pyles as the Jamie Cullum show was ending tonight that I should have guaranteed it, and promised to give her her money back if she didn’t enjoy it. That’s how much I love Jamie Cullum, and how strongly I can stand by his live shows. They’re just incredible, and tonight’s show at the Orpheum was no exception. No sense going into too many specifics, but from top to bottom, start to finish, I think this may have been the best Jamie Cullum show I’ve ever seen, and I’ve seen him four times. It was another rowdy, fun time. The crowd was into it, despite some folks who just kept getting up to go out. Our seats were great. And the set list was spot-on: Jamie played his good stuff (including “Mind Trick, which was missing from the set list the last time I saw him) and he played some really cool covers really well, particularly Norah Jones’ “Turn Me On” (which, oddly, Jamie dedicated to his father, who was in the audience, because apparently it’s his favorite song) and James Taylor’s “Fire and Rain.” Jamie came into the audience a couple times, and he actually sang a cover of “Nature Boy” entirely in an aisle. Otherwise, “Photograph,” “Frontin’,” and “London Skies” were great, as were “These Are the Days,” the solo version of “All at Sea,” and, of course, my favorite of his songs, “What a Difference a Day Made.” Of course, there are songs I wish he’d played (like “My Yard”), but that’ll happen when I like most everything on his three albums.

Perhaps you don’t know Jamie, despite the fact that I’ve written about him before on this site. Well, for all you who don’t know him — and those who like a little soundtrack with your reading — check out the new widget I’ve added to the blog in the upper right hand column. Just click “play” and you’ll hear one of his songs, likely “Photograph.” And know that as nice as that song is, and as good as his albums are, they don’t compare to how good Jamie is live. As I said, I’ve seen him four times now and I’d see him anytime. I guarantee his shows as some of the best ones out there.

I Got a Kick Out of Him

31 Mar

Sure, the show took place at the Opera House, and sure Jamie Cullum is a contemporary jazz-pop singer, but the concert this young Brit gave Thursday night was anything but a subdued affair. The first indication was the fact that Cullum walked on-stage chugging a Full Throttle energy drink. After that, it was the music that did the talking. And sure, it took maybe three songs for Cullum to hit his stride, but once he launched into “Twentysomething,” the two-hour-and-fifteen-minute show was on cruise control.

To single out specific songs as favorite moments would be pointless, although “What a Difference a Day Made,” “Nothing I Do,” “Frontin’,” and “London Skies” were all great, as was a duet with opener Brandi Carlile on “Rocket Man.” Cullum even did a fun medley of hip-hop songs (jazzed-up, of course) that included Ne-Yo’s “So Sick” and Amerie’s “1 Thing.” Perhaps the one obvious omission was “Mind Trick,” one of my favorite tracks off Cullum’s current CD, Catching Tales. (You can hear it at his site on MySpace.com.) I also was disappointed he didn’t play “My Yard.” But the stomping on the piano keys was there, as was Cullum’s ratty appearance, playful banter, and athleticism. And the Opera House’s acoustics made it all sound great. This was my first time in the building, and man, what a great venue.

It’s just a shame that so many people missed so much of the show. I don’t know what was up with the crowd. Every other minute, it seemed, someone (or two people) would get up and go out for a drink, or to the bathroom, not even waiting for the end of a song or an opportune moment. It was the most restless audience I’ve seen in a long time. And given the show’s location, the moving around was more pronounced — and annoying to those of us who were enjoying the show and didn’t ever leave.

Jamie Cullum isn’t a household name yet, and admittedly, his CDs — good as they are — really don’t do justice to how great he is live. But I can’t recommend him highly enough. He deserves repeated play on your CD player (or iPod) if he’s not already programmed in.

Music to My Ears

14 Oct

Best thing about spending 6 of the last 72 hours in my car? The chance to hear some of the new music I’ve been buying. Among the noteworthy tunes …

Jamie Cullum, “London Skies,” “Photograph,” and “Mind Trick,” and his new CD, Catching Tales. I’m a huge fan of Jamie’s previous CD, Twentysomething, with its cool fusion of rock, pop and jazz, and had high hopes for the follow-up. The sound of this new disc is more pop-jazz than Twentysomething, which was more jazz-pop. Songs here have more of a beat, more of an ambient sound in some cases, more edge, and less of a “classic” feel. My favorite track is “London Skies.” I’ve already played it a good handful of times. And “Mind Trick” is just fun. “Photograph” hit a chord with me, due to the wistful, nostalgic lyrics of the chorus (“When I look back on my ordinary, ordinary life, I see so much magic though I missed it at the time.”) and a nice piano solo. Other tracks (like “21st Century Kid” and the Steely Dan-esque “Nothing I Do”) are quickly growing on me. Sure, most of the stronger tracks are in the first half of the CD, but I’d imagine that after a few more listenings, I’ll warm to more tracks in the second half. This is a really good album, even if I don’t instantly love it all, like I did with Twentysomething. Jamie Cullum’s a huge talent and I really recommend this CD.

Susan Tedeschi, “Follow,” and her new CD, Hope and Desire. Tedeschi’s Just Won’t Burn is one of my all-time favorite albums, but since then I just haven’t loved Tedeschi’s work. This album has its highs and lows, and a definite high is “Follow,” a cover of the Richie Havens classic. Simply, it just sounds great. Is it the song? Is it the delivery? It’s both.

Josh Kelley, “Only You”
I Nine, “Same in Any Language”
(From the Elizabethtown soundtrack)
Cass Elliot, “Make Your Own Kind of Music” (yes, the song from the first episode of Lost this year)
… These three are just some great songs that had repeated play in my car.

All of this is available on iTunes, by the way. The others are good, but Jamie Cullum’s definitely worth checking out.