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Not to Be

22 Nov
Jessie Buckley stars in HAMNET

With its lush cinematography, precise period details, and performances so controlled they practically scream “For your consideration,” Hamnet is one of those movies that feels engineered from the ground up to earn award consideration — if not a few little gold men themselves.

And to be fair, it is a beautiful movie. Director Chloé Zhao clearly put a lot of thought and care into the look and feel of her latest work. Every frame feels deliberately composed and drenched in a kind of quiet melancholy that fits the subject matter perfectly. (Though, some shots do appear to be lifted straight out of a Terrence Malick film.) The acting is top-notch across the board, too, with grounded, intimate performances that pull you in even when the movie itself drags.

But that’s the thing: For about three-quarters of its length, Hamnet is … a bit dull. Not offensively so, not “check your watch every 10 minutes” dull, and certainly not “to sleep, perchance to dream” dull. Just slow, restrained, and very interior. As expected.

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